The work of Bristol sound co-founder the musician-producer, this sharp-edged if undernourished first film turns a sceptical eye on 90s rave culture. Venal drug user David (the actor) initially steals from an unconscious dealer, then in a later recollection tries to burgle his own family home. In no time, he's upside down in the remains of his car in a woodland – and subject to the wrathful eye of the Woodsman (vocalist Jason Williamson). Declining to free David, with no time for townies, he is a fractured society personified: “You’re one of those noisy cunts from up on the heath.”
Unsteady Opening and Grimly Amusing Confrontation
The film begins uncertainly, lingering excessively on meticulously detailing David’s attempt to extricate himself from his safety harness, while clumsily segueing into past scenes of his everyday life. The central theme – that the ecstasy generation were mainly focused on themselves – is firmly made. But these vignettes are too thin to adequately prepare us for what to expect when the Poacher turns up, enraged after David strangles his dog. Still, a grimly amusing standoff unfolds – David desperate to escape; the Woodsman denying his container of scrumpy, intent on dousing him instead in embittered discourse. Williamson, exuding heavy threat in the role, is reminiscent of Michael Smiley.
Visual Flair and Music Video Vibe
Just a single important plot development, but it results in a comically executed rampage on the woodland paths that veers toward rural terror. Director John Minton finally gets to go all in with his ostentatious visuals: where he was hunkered down doing impressionistic closeups of bugs in headlights in the early stages, he now lets rip with the full psychedelic grand display, soundtracked to a wild organ version of Ravel’s Boléro. Game feels more like an extended promo than a complete narrative, but there’s enough strident imagery to suggest that Minton could follow Jonathan Glazer, Garth Jennings and others into successfully graduating from the Brit music promo scene.
The film is in British and Irish theaters from November 17.
