It is a widely held belief for numerous people that jointly caring for a pet following a split is a recipe for trouble. Most will argue such setups prevent former couples from healing, create logistical nightmares, spark arguments, and become annoying for everyone involved. Apparently, as a development suited to a direct-to-platform film, it also makes our furry friends to experience sadness.
Not to downplay the emotional well-being of our pets – pet parents observe their profound sensitivity. To witness a masterclass in pet despair, simply recall another performance. It seems certain that a dog like Merv, a scruffy terrier type portrayed by Gus the Dog, would have a hard time adapting to divided living arrangements. The idea of basing an entire Christmas romance around this situation is sustainable is debatable at best.A Familiar Formula
Fairness demands noting, Merv, crafted by its screenwriters and directed by playwright Jessica Swale, makes no grand claims more profound than what it is. We have here a seasonal offering from a corporate studio – the depth are modest. The narrative unfolds as straightforward: exes Russ, played by Charlie Cox and Anna (Zooey Deschanel), confronting that their individual funk is matched by their dog's, embark on a therapeutic trip to a luxury pet hotel. Once there, as expected, they will surely realize the idea that they are better together. Ensemble players – played by Chris Redd, Jasmine Mathews, and others – are crafted as the usual assortment of types. Visually has the quality of a streaming service original, with a holiday backdrop that is visibly contrived – exemplified by flurries piled on lush pines as a summer location substitutes for a cold December city.
Where the Film Shines
How these familiar elements coalesce into a pleasant experience hinges on the actors' work and an acceptance of comfort viewing. On the latter point, Merv targets a specific viewer – individuals who scroll endlessly for cute animal clips. Audiences receive a wealth of adorable dog montages. The main attraction is Merv himself, and while this leads to some stilted moments between animal action and people's faces, the movie delivers on walking sequences, pet moping, and, finally, doggie joy.
Where It Wobbles
The same praise is not earned for the human side of the story. Its style vacillates between serious study, zany antics, formulaic romance, and silly gags, failing to master a single genre. The fault lies not with Cox's performance, who is admirably committed the absurd and awkward demanded of the bizarre setting. Cox exhibits a endearing lack of ego that provides the bulk of the chemistry for this ostensibly perfect couple. Her co-star Deschanel, in her typical fashion, brings a particular brand of eccentricity that will either resonate with viewers. The character can feel a touch too detached, notably when paired with Cox's vulnerable performance. (On another note, Gus the Dog is convincing at looking despondent – while no the award-winner from Anatomy of a Fall, he remains a scene-stealer.)
The story strives to add substance to Anna and Russ's relationship for scenes without their pet – a regrettable choice, considering the title character is by far the best part of this feel-good picture. Unsurprisingly, it achieves only baseline competence. The cause for their separation might seem more nuanced with greater exploration and fewer direct statements. As it stands, Merv is gentle and pleasant, hitting every expected note. Making a film on this shared-custody premise has potential – but I wouldn't call it a brilliant concept.
- Merv premieres on Amazon Prime Video starting December 10.
